By Tim Parsons, Lake Tahoe Action

Photo provided by Chuck Garric Kiss drummer Eric Singer, left, also plays in Alice Cooper’s band with South Lake Tahoe native Chuck Garric.

Eric Singer describes Kiss as “rock meets Barnum and Bailey’s Circus,” making it his ideal band.
“I always liked the entertainer-type drummers,” said Singer, who first joined Kiss in 1991. “For me, I feel Kiss is the perfect band as a musician, a performer and an entertainer.”

Singer wears the cat-face makeup, which began with original drummer Peter Criss, who came up with idea because he said he has nine lives. The long-tongued bassist Gene Simmons is the Demon with bat wings, guitarist Paul Stanley the Starchild, and former guitarist Ace Frehley was the Spaceman.

Singer enjoys wearing the makeup: “It allows you to let loose and be whoever you want to be,” he said. “It’s almost like when Superman would put on the cape or Batman would put on the mask. In some ways, it gives you the ability to take on a character or a persona of whatever you have inside of you or how you want to perform.”

Risks from sitting on a drum riser include breathing pyrotechnic smoke and being peppered with flames when Simmons spits fire. But that’s the price you pay to be part of the biggest spectacle in the history of rock music.

Simmons explained the philosophy behind Kiss, which has marketed itself skillfully. The singular rock band featuring pop harmonies has sold 100 million albums. Kiss has probably sold more merchandise than any other band, and the Kiss Army fans are the most fanatical in rock ‘n’ roll, Singer said.

“We had our show, we had our levitating platform, we had our bombs, we had our costumes and we had our Kiss logo,” Simmons said in “Kiss, the Early Years” (Three Rivers Press). “Kiss would always perform on time, period, and would always deliver the goods.”

“Gene and Paul are not just musicians — they’re entertainers,” Singer said. “It’s always supposed to be the greatest show on earth and an over-the-top presentation. I get it because I was a fan. Once you saw them, you were hooked because they really gave you a visual presentation, not just the music.”

Singer met Stanley when Stanley was working on his first solo project in 1989. Two years later Kiss asked him to fill in for the ailing Eric Carr, who had replaced Criss. Singer, a watch collector who has marked time for Queen guitarist Brian May and Black Sabbath, first worked with Kiss on a movie soundtrack and later on the album “Revenge.” After Carr died of cancer, Singer joined Kiss full time.

“And the rest is ‘Kisstory,’ ” Singer said. “It was a really awkward time for me. It was mixed emotions. I was really excited, but I also felt really bad.”

Singer left the band in the mid-90s, when Criss and Frehley rejoined the group. They both left again later. Tommy Thayer now plays guitar. Other guitarists have been Bruce Kulick, Vinnie Vincent and Mark St. John.

Singer also plays in Alice Cooper’s band with bassist Chuck Garric, a 1985 South Tahoe High School graduate.

“Kiss, in my opinion, took it to the next level,” Garric said. “When I was a kid, I would run home from school put on ‘Kiss Alive’ and think to myself, ‘One day, one day I’ll rock the world with one of the best drummers in rock ‘n’ roll from one on the hottest bands in the land — Kiss!”

Simmons and Stanley are the constants over band’s 35 years. Replacing either of those two, who do most of the singing and songwriting, might be impossible, Singer said.

“Like in all things in life, never say never, and anything’s possible,” he said. “But I think it would be really hard to replace Gene or Paul. Nobody can forget, nor will we forget the original four guys. It’s because of them that I am talking about Kiss to you today. But bands change and bands evolve.

“I don’t say this to kiss anyone’s ass but to me there’s only one Paul Stanley. You could never find somebody who can do what Paul does. Not only is he the voice of Kiss and as a frontman, Paul’s going to go down in history as one of the best frontmen of all time of rock. He’s one of the few guys whose done it with a guitar strapped around his neck the whole time.”

Stanley’s wife is expecting her third child, which means Kiss’ four shows this month will be the last chance to see them for a while. But don’t worry — Kiss will return.
“I’m sure there will be more Kiss touring in the future,” Singer said. “After the success we had this year, it makes perfect sense to keep going out and do this again.”
Singer also plays with Garric in ESP, an acronym for the Eric Singer Project.

“ESP just a fun side project for me,” Singer said. “It’s a chance for me to play some cool songs with my friends. I played in my father’s band, which was American songbook, like Cole Porter and Gershwin and all those standards, as well as big band and swing. I’d never played in a cover band. We play songs by Deep Purple, Zeppelin, Sabbath, Kiss and Queen. I like having Chuck, because he can sing. He likes to do the Mötorhead. And I don’t have to tell you what a great guy he is. He’s a bandmate and a real friend.”

By playing in three bands together, Singer and Garric have developed into a solid rhythm section, Garric said.

“When we play live, we listen to each other — nobody’s pushing or pulling,” Garric said. “We’ve been playing together for so long and in different bands, I know what he’s thinking. It’s a powerhouse when we get down to business.
BRAND NEW KISS RECORDING

My overview of BRAND NEW KISS recording has been posted on official KISS website KISSONLINE.COM

A Japanese website has posted clips of all 15 Tracks from the new KISS album - JIGOKU-RETSUDEN.

LISTEN TO NEW CLIPS

CLICK HERE to visit the site and check out the clips.

KISS JIGOKU-RETSUDEN, a new KISS Greatest Hits CD featuring all new recording of 15 KISS Classics! The tracks were recently recorded and feature Paul, Gene, Eric and Tommy. The CD is scheduled to be released in Japan on August 27. A Limited Edition version of the CD is also being released, and includes a bonus KISSOLOGY Special DVD with live footage from KISS’ legendary 1977 performance at BUDOKAN.

Fan review of JIGOKU-RETSUDEN CD:

New Japanese KISS Album is a KILLER!

I’ve been listening to it all morning. What a relief! I was excited about this release but it could have gone sooo wrong…but…it’s great!

First impressions, cool Krameresque production, great drumming, great singing, and some tracks (I Was Made For Lovin’ You, Forever, Heavens On Fire, Shout It Out Loud, Do You Love Me and Hotter Than Hell) are actually a notch above the original versions! Amazing but true!!

The lead vocals on Forever are (for me) even better than the original and the new production on I Was Made For Lovin’ you is crisper, and more rocked up. I wish Sure Know Something and Magic Touch could’ve been redone as well, but you can’t have everything.

Gene’s vocals are superb and Eric Singer sounds great on the backing vocals and on his lead vocals on Black Diamond.

Best of all the recordings are cohesive and have a consistent “band” personality, Tommy, Eric, Paul and Gene are so tight!

Best,

Andy  

Tracklist:
1. Great Day
2. Time Precious Time
3. Did You Miss Me
4. Wanna Wait For You
5. Love Runs Deeper
6. Bel Air Rain
7. The Right Place To Fade
8. Gift Of Screws
9. Underground
10. Treason

Burbank, CA- Warner Bros. Records will release the fifth solo album from singer, songwriter, and guitarist Lindsey Buckingham, entitled Gift of Screws, on Reprise Records September 16, 2008.

Gift of Screws unites the broad appeal Buckingham showed as the main musical force behind Fleetwood Mac with the restless spirit of experimentalism he’s shown on landmark Mac albums as Rumours and Tusk, and on his own visionary solo albums. It’s the sum of Buckingham’s labors of musical love and dedication, with all the joys and struggles that have come along the way.

“I’d say this album distills several periods of time,” Buckingham says. “It has false starts to make albums, songs that go back a number of years that took a while to find a home, and brand-new songs. I wanted to bring it all together in one place. As an artist I’m still, for better or worse, clinging to my idealism and to my sense that there is still much to be said. This album is a culmination of that.”

Gift of Screws is a rocking complement to Buckingham’s previous album, 2006’s acoustic guitar-driven Under the Skin, balancing such layered guitar-and-voice contemplations as “Time Precious Time” and “Bel Air Rain” with the seductive rush of the title song and the opener “Great Day.” In some ways it’s also an extension of his Fleetwood Mac legacy as Mick Fleetwood and John McVie provide the unmistakable foundation on several songs, including the embracing “Wait for You” and the gloriously mad title song. Showcased throughout are Buckingham’s noted virtuosity as a guitarist, as well as his expressiveness as both a singer and writer.

Largely written and recorded both at his home studio and in solo hotel room sessions during his Under the Skin tour (an electrifying set of concerts documented on the 2008 DVD/CD package Live at the Bass Performance Hall), Gift of Screws was produced by Buckingham, with the exception of two songs — “Wait For You” and the title track — that were co-produced by Rob Cavallo (Green Day, Jewel, Dave Matthews Band).

SINGER-SONGWRITER/GUITARIST BEGINS U.S. TOUR THIS FALL

Last fall, Buckingham embarked on his first U.S. solo tour in nearly 14 years, which continued through the summer. He will tour the U.S. in support of Gift of Screws through September and October.

September 7 - Saratoga, CA - The Mountain Winery
September 9 - Seattle, WA - Moore Theatre
September 10 - Portland, OR - Newmark Theatre
September 12 - Stateline, NV - Harrah’s Lake Tahoe
September 13 - San Francisco, CA - TBA
September 14 - Los Angeles, CA - Royce Hall Auditorium
September 16 - San Diego, CA - Humphrey’s Concerts By The Bay
September 18 - Phoenix, AZ - Orpheum Theatre
September 19 - Anaheim, CA - Grove Of Anaheim
September 20 - Las Vegas, NV - The Joint
September 22 - Salt Lake City, UT - The Depot
September 24 - Denver, CO - Ellie Caulkins Opera House
September 26 - Tulsa, OK - The Brady Theater
September 28 - Kansas City, MO - Uptown Theater
September 29 - Saint Louis, MO - The Pageant
October 1 - Cleveland, OH - House Of Blues
October 2 - Chicago, IL - House Of Blues
October 4 - Milwaukee, WI - Pabst Theater
October 5 - Indianapolis, IN - Murat Egyptian Room
October 8 - Toronto, ONT - Music Hall Theatre
October 10 - Reading, PA - Sovereign Performing Arts Center
October 11 - Atlantic City, NJ - Trump Taj Mahal Casino Resort
October 14 - Northampton, MA - Calvin Theater
October 15 - Ridgefield, CT - Ridgefield Playhouse
October 17 - Boston, MA - Berklee Performance Center
October 18 - Glenside, PA - Keswick Theatre
October 19 - New York, NY - Nokia Theatre Times Square

Please visit Buckingham’s website, www.lindseybuckingham.com, for details.
 

Euro Blues Fest Scores Mick Fleetwood’s New Band

Rock legend and Fleetwood Mac co-founder Mick Fleetwood’s new group, The Mick Fleetwood Blues Band, will make its international debut this summer, headlining one of the largest blues festivals in Europe.

The International Notodden Blues Festival, which organizers expect 40,000 fans to attend, will take place July 31 to August 2 in Norway.

The lineup for the 21st outing of the fest also includes Ray Davies, Koko Taylor, John Hiatt, Kenny Wayne Shepherd, Little Feat, James Cotton, Charlie Musselwhite & Kim Wilson with The Fabulous Thunderbirds, Bobby Rush, Pinetop Perkins & the Legends of Chicago Blues Music Club NotoddenJaniva Magness, Bob Margolin & Jerry Portnoy, Omar Kent Dykes, Rick Estrin & The Nightcats, Louisiana Red Blues Band, Henry Butler and many, many other artists.

Fleetwood’s new band, which features Rick Vito, Lenny Castellanos and Mark Johnstone, celebrates his blues heritage, as well as the original lineup of Fleetwood Mac.

The group, which also has a handful of U.S. dates on the books for this month, is expected to play pre-Buckingham/Nicks Mac hits like “Black Magic Woman,” “Oh Well,” “Rattlesnake Shake” and “Albatross.”

KISS Flo and Eddie Elder interview

Part 1 

Part 2

Ace Frehley: “I wake up every morning and thank God I’m alive, ’cause there were a lot of times where I almost didn’t make it.”

Let’s just cut to the juicy part and then work backward.

How does Ace Frehley feel about seeing someone, namely Tommy Thayer, strutting around the stage with Kiss wearing the Space Ace get-up with the silver stars on the eyes?

“It is what it is,” he says on the phone, sounding like one of Tony’s boys on “The Sopranos.” “From what I read on the Internet, the fans aren’t too happy about it. I don’t want to go there …” he pauses, then adds, “Am I crazy about it? Nah, not really. It is what it is.”

Rather than donning his patented Kiss outfit and playing to thousands of screaming fans with explosions going off behind him, the 57-year-old Frehley will play to several hundred at Mr. Small’s Sunday with his four-piece band.

According to Frehley, it’s his choice.

The guitarist from the Bronx was an original member of Kiss, the last one to join in 1973. He was the band’s guitar wizard and best musician throughout its heyday, up until 1982 when he left due to a combination of musical differences and substance abuse.

Frehley then rejoined Kiss for a reunion tour in 1996 and stayed with the band through its badly named Farewell Tour in 2002, all the while still struggling with alcoholism.

Why did he leave that time?

“I just got tired of the nonsense,” he says. “I got into rock ‘n’ roll because it was fun. In the early days we had a lot of fun with Kiss. We were all out there to just do it. When it became this big business machine, it kinda took away the spontaneity of the whole thing. Then, I did the reunion tour in ‘96 and it started out great. It was almost like old times. By 2001, I basically had enough and wanted to go back to my own stuff.”

His own stuff is a solo career that is arguably the most successful among the fab four. When Frehley, Paul Stanley, Gene Simmons and Peter Criss released simultaneous solo albums in 1978, Frehley’s sold the best and was the only one to score a hit (No. 13 for the Russ Ballard-composed “New York Groove”).

After leaving Kiss, Frehley released three more solo records and toured as Frehley’s Comet, but it now has been 19 years since his last album, “Trouble Walkin’.”

The good news for Frehley fans is that the long-awaited follow-up is just about ready. It was supposed to drop this month, but has been pushed it back till summer.

“The stuff sounds real good,” he says, “but everyone’s been waiting for this record and I’m just trying to make it better. There are like two more tracks I want to cut, just to round things off.”

His biggest inspiration and his template for the new record, Frehley says, is that 1978 debut.

“It’s probably more like the first record than anything else. Most people cite that as the best Ace Frehley record and I’ve been listening to it and trying to figure out why. I’m trying to recapture some of that. I want this record to be extra special.”

In advance of the release, Frehley is on the road fronting a band that features second guitarist Derek Hawkins, drummer Scott Coogan (ex-Brides of Destruction) and bassist Anthony Esposito (ex-Lynch Mob).

While they all contribute with vocals, most of the burden is on Frehley, who historically has been shy at the mike.

“To me, singing is a necessary evil,” he says. “I consider myself a guitar player and a songwriter, and because I write these songs I gotta sing them. I remember last year when I was thinking about putting the band together, some people were saying, ‘Ace, you should get a powerhouse frontman.’ But a lot of these songs I’ve been singing for years, either solo or with Kiss. What’s this front guy going to do when I’m singing lead? Play a tambourine,” he says, cracking up.

The set list consists of songs from the old solo albums, as well as Kiss classics like “Cold Gin,” “Deuce” and “Love Gun,” but he’s holding back on the new material because he doesn’t want it to turn up on YouTube and kill the surprise before it’s released.

As for Frehley’s signature flashy guitar work, we’ve seen him doing much of it with Kiss under the influence. He has been sober since leaving the band in 2002, and he says it shows in his playing.

“I think I’m a little more accurate and more focused. When I drink and perform, I was maybe a little more animated, but there were more clinkers and I played sloppier and stuff. I’m just more focused now and more in charge.”

Like most metal stars from his generation, including Ozzy himself, Frehley isn’t too big a fan of the modern, heavier bands.

“There are some good bands out there,” he says, “but some of the screaming stuff lacks melody. I mean, if I have to choose between the two, I’ll take something where I can pick out the melody — something where when you walk away from it, you can hum, something that will recirculate in your brain. Some of the best guitar solos are the slower ones. You can’t really hum something when you’re playing 3 million notes per second.”

For inspiration, he reaches for the classics.

“I listen to a lot of the old stuff I used to listen to — Hendrix, Zeppelin, The Who, Cream, Jeff Beck — the stuff I grew up on. It still works today, whereas a lot of music when you play it today it really sounds really dated. A lot of the groups that influenced me, they still sound good.”

Does he put Kiss in that category?

“I guess some people might,” he says. “I don’t like critiquing my own work. Let other people do it.”

Scott Mervis can be reached at smervis@post-gazette.com or 412-263-2576.
First published on May 1, 2008 at 12:00 am

The KISS comic-book storyline now continues as a web only version and can be found by clicking the banner below:

Will Ace Frehley make a guest appearance with Kiss at Download?
The prospect of both Kiss and Ace Frehley playing the Download festival on the same day – June 13 – has raised a tantalising question among the Kiss community.

To wit:

Could Kiss mainmen Gene Simmons and Paul Stanley be persuaded to allow their former guitarist to guest with them on stage at the festival? Like, during an encore on something?

Classic Rock’s Geoff Barton recently quizzed Simmons and Stanley about this very subject.

Read on…

Paul Stanley: Would I ask Ace get get up on stage with us? No. I’d certainly invite him to watch the show, but appear on stage? No way. There are four members of Kiss. Always have been. Tommy Thayer is our guitarist now. That’s the way it is. So there’s no room for a fifth guy on stage, not even Ace.

Gene Simmons: I actually called around and asked the promoters if Ace’d like to play on the bill. I love Ace dearly, he’s just a pure character, a true rock’n’roll rebel spirit. Unfortunately his worst enemy has always been Ace.

Ace should have tens of millions of dollars. And of course I can hear you saying in the background: “Is that all that’s important?” Well, it would be nice, wouldn’t it? It would be nice to be filthy rich after putting in 35 years of playing your axe, instead of going around playing in clubs and trying to make ends meet. It’s a sort of rock’n’roll tragedy, if you will. But everybody wishes Ace the best. I certainly do.

But to quote Ace, the reason he quit the band and left touring was that he was ready to commit suicide. Not once, not twice. Often. Not everybody is designed to be on the road. Hopefully Ace has surrounded himself with people who won’t let him get away with any shit. “I’m just going to the bathroom to comb my hair.” “No, no, no, you’re not going by yourself.” Once an alcoholic, you’re an alcoholic for life. The same goes for drug addiction. Ace is going to be a drug addict and an alcoholic for the rest of his life, and every day I hope he fights the fight and wins, because he deserves a better life.

To answer your question about inviting Ace on stage at Download… probably not. It would raise the wrong sorts of messages. But he certainly deserves credit, every bit as much as I do or anybody else does, for starting the band. No one would ever take that away from him.

But this is the Olympics, baby. When the fans pay their hard-earned money they’re not interested in excuses. “I clipped my toenails, I’m sorry, I forgot to tie my shoelaces…” nobody gives a shit. They want you to get out there on stage and kick it out. If you can’t cut it, get off the team.

As far as Gene Simmons is concerned, I certainly belong there. “Based on what?” you ask. Based on history.

Far left of the stage just behind the barrier! What a straight ahead down to earth ballsy rock n roll party we had! The place was packed and stoked and the videos don’t really do it justice, drenched in sweat

the audience was wild, singing along (listen to us, we rocked), punching the air and chanting for Ace…even before he came on stage. Nights like these are rare and this one was the best I’ve had in years!

The set list:

Rip It Out/Hard Times/Parasite/Snowblind segue into I Want You/Rock Soldiers/Breakout/Into The Void/Strangeways/Medley inc: Torpedo Girl, Speedin’ Back To My Baby, Five Card Stud, Trouble Walkin’ End of Medley/Stranger in a Strange Land/New York Groove/2,000 Man/Shock Me/Rocket Ride/Deuce/Lover Her All I Can/Love Gun/Cold Gin (with outro to Black Diamond tacked on at the end)

Go to GlamMetal.com for more great features!

We here at GlamMetal had the privilege to sit down with one of the nicest guys in the music business, Anthony Esposito. The interview took place in his hotel room before the second night of back to back shows for the Ace Frehley band at the Bears Den inside the Seneca Niagara Casino in Niagara Falls New York. Even with all the commotion going on in his room, Anthony took the time to tell us everything from what the plans for the Ace Frehley band are to what he thinks of Ace’s guitar playing. Let’s hop onto this Rocket Ride and see where this takes us shall we??Gus: How did you get involved with Ace? Anthony: It was a buddy of mine Frankie Gibson, who happened to pass away about a year ago. He was a killer jewelry designer. He designed all of Ace’s jewelry. He was the one who introduced me to Ace. We went up to his house and played and that was it. We jammed and one of Ace’s friends Jeff (who was a truck driver) played drums. So it was me, Ace, and the truck driver. I was really nervous that I didn’t play well because the drummer wasn’t a pro guy. But it was great! Everything was great!

Gus: How long ago was that? Anthony: About 2 to 2 and a half years ago…Frankie was still alive then.

Gus: Was there any idea at that time about starting a band? Anthony: He had all of these songs that were already written. Then he wanted to record and then it was possible down the road for a tour. He just really wanted to play. It was more like a jam.

Gus: What are your contributions to the upcoming solo release by Ace? Rumor has it the title for the new CD is called “Pain in the Neck,” do you know when it will be released? Anthony: It’s not called “Pain in the Neck” that’s just a name of a song title (wouldn’t reveal what it was called though). It’s about 85% done. I play bass on the record, and Ace wrote all the songs. It was all his deal. Just trying to be there for him and do whatever he wants and let him be him.

Gus: Who else contributed to the new CD? Anthony: Scott Coogan and Anton Fig on drums, Ace on guitars, and me on bass.

Gus: How was it working in the studio with the guitarist who is revered by millions of people?

Anthony: He is the most amazing player I have ever played with! He is a naturally great lead gifted musician! He is really open to everybody’s ideas. Then he thinks and chooses. He is really wise and his decisions are always on. He has great instincts and he’s a great songwriter!

Gus: How do you think the songs will be received by the public? Anthony: I think the fans will love it but that’s not what Ace is doing it for. He is doing it for (Gus interjects: Him.) Exactly! He is very conscious that this is the best work that he can do right now. You know what I mean?

Gus: Growing up in Coney Island just outside NYC, who were you listening to? Anthony: I actually grew up in Staten Island but close. I was born in Brooklyn, but moved to Staten Island when I was very young. Well, Kiss was my first show at the Gardens in ‘78 I think?? (Anthony then turns to guitarist Derrick Hawkins who was also in the room and asked what year was it?) Derrick says, “1979 on the Dynasty tour.” It was at the Garden and I was in the last row. I still have the slides on my fucking laptop. My Dad passed away last year, and I took all the slides that my Dad had and I scanned them in so my Mom can look at them on the computer. I came across the slides that I took from being in the last row at the Garden. Ace is like an inch and a half big from where I was sitting and now we’re going up to his house to practice. It’s the biggest trip! I listened to Kiss a lot but I also listened to the Ramones, The Sex Pistols, and The Clash. I was like a punk rocker dude. I like Ozzy. I listened to rock. There was Iron Maiden. Steve Harris was great! I think with bass playing I’ve always been a simple guy. I like Cliff Williams a lot. I like Ian Hill from Judas Priest, who is a simple guy. They let the guitar players do what they gotta do on top.

Gus: Can you tell us about your studio? Is it still in operation? Anthony: It’s gone (laughs)! It was open but they wanted to triple my rent so I closed it. So now all my gear is up at Ace’s house.

Gus: Will you open up another one? Anthony: I don’t know. I don’t think so. The studio business is done. People record in their living rooms on their Macs now! Nobody goes to spend money anymore. There are no more budgets, no more record labels. So there are no more studio budgets.

Gus: What was your proudest accomplishment working in the studio? Anthony: I had Iggy Pop and Dee Dee Ramone writing songs in my studio.

Gus: That’s cool! Anthony: Yeah, that’s pretty much it right there! We also had the NY Dolls, Green Day, The Ramones, we just had so many great bands. We did the last Misfits record there. That record was Dez (Cadena) from Black Flag, Marky Ramone on drums, and Jerry (Only) from the Misfits. And we would never charge. We would be the cheapest thing in town.

Gus: That’s why you are out of business.. Anthony: (laughs) No, No. The landlord wanted to triple my rent because I had a 15-year lease.

Gus: What other projects are you currently involved in? Anthony: I play in a band called “Pisser.” It’s kinda like a fun thing on the side. It’s with Frank Ferrer, who plays with Axl (Guns and Roses.) I don’t do too much stuff. My other job (art and stage designing) takes up a lot of my time.

Gus: Playing with Lynch Mob was a big part of your past. Do you stay in contact with any of your former band mates or do you ever see a reunion with the former members? Anthony: I was asked to do a reunion tour this year, and I said no.

Gus: You have the Ace thing going. Anthony: Exactly! I would love to play with Oni (Logan)! I love Oni! I love Robert! (Mason) Robert is a great guy! I talk to him to once a month. Mick (Brown) I don’t talk to as much as I would like to. He tours and I tour and it’s hard. He’s out with Nugent right now. I spoke to George once in the last six years, and that was to say no to the reunion tour.

Gus: After this initial leg of the Ace Frehley tour, do you see the tour being extended? Anthony: I hope we tour for two years!

Gus: That long? Anthony: I’m sure those two guys will give you the same answer. Editors note: He was referring to both Scot Coogan and Derrick Hawkins who were both in the room as well.

Gus: So there will be a European tour too? Anthony: Without a doubt! We are already slated to do the Download Festival and the Swedish Rock Festival. We are doing London on April 11 and Sheffield on April 12. I think May dates are coming out for the Southeast. Once the record comes out, Ace wants to go everywhere! He wants to go to Japan, and we’re there! We want to work and this band gets along so great. It’s like; we don’t ever want to stop!

Gus: I saw the show last night and you guys were really tight! I also saw the show on Halloween night in New York City last year and you can see how you guys evolved as a band. Anthony: We got all our little things that we do and we’re growing together as a unit.

Gus: What are your experiences with Kiss fans? As you know they are the most dedicated, crazy, and loyal fans out there so how have your experiences translated so far? Anthony: 99% positive so far (laughs.) A lot of fans give us some credit for getting Ace back out. So they are kind of happy that he is playing again. I think when they see us they see us as a part of themselves like Kiss fans who are now on stage playing those songs. We value playing “Cold Gin.” We grew up listening to “Deuce” and “Cold Gin.” For us, it is the biggest thrill in the world! Like Derrick walked over to me when we are on stage and said, “Dude, we are playing back in the New York Groove with Ace Frehley!” You know it really means a lot! Generally, the fans know that and feel that. We don’t come off that we’re not on the same level as Ace. We’re backing Ace, which we honor! We take pride in ourselves in that we are doing good for him, because we want him to shine. We’re there and we got his back, and that’s the deal!

Gus: So you’re saying 99% positive, what about the other 1%? Anthony: One guy yelled out to Coogan the other night when he was signing autographs “Don’t ever sing ‘Love Gun’ again!” (Everyone in the room laughs) I think generally they know that we’re honestly enthused about playing these songs. Were not in it because we think it’s going to further our careers.

Gus: Any closing thoughts to our GlamMetal readers? Anthony: Definitely come out and see him play! It is a show that is definitely worth coming to see. He is one of the greatest guitar players ever to play guitar. He doesn’t get 1/10 of the credit that he deserves as a guitar player. His solos are fucking amazing! It’s definitely worth coming out to see! He smokes live.. literally (laughs!)

I “borrowed” the following scans and text from mechanicaljewel at Live Journal.com. I fondly recall the comic, “The Daredevils” from which they are lifted, it featured reprint comics and new editorial and comic-strip material, notably “Captain Britain”. I thought it deserved to go ‘viral’. To read the text click on each scan for the larger version.

Invisible Girls and Phantom Ladies: How far have we come?

Back in 1983, Alan Moore wrote a 10-page article on the portrayal of women in comics and the presence/lack thereof of female creators. It was serialized in Marvel UK’s The Daredevils #4-6.

It’s really interesting to see things like this, written 25 years ago, and to address the question ‘how far have we really come?’

KISS TO HEADLINE ARRROW ROCK FESTIVAL IN HOLLAND

KISS is scheduled as the main act on Sunday June 15, at the Arrow Rock Festival 2008.

Tickets are available now at

http://www.arrowrockfestival.nl/

KISS TO PLAY BELGRADE STADIUM!!!

ALL RIGHT BELGRADE, YOU WANTED THE BEST AND YOU GOT THE BEST!!!

KISS will rock Belgrade, Serbia on May 15 at Belgrade’s USCE Stadium.

According to the Last FM website KISS will play at Donington for

the Download Festival Friday 13th June! (hope the date of gig isn’t

 a bad omen)

See link:
KISS Live in U.K.